Nazaria

Movements

Browse the feed by period, school, and idea.

c. 1550 – 19000 pieces

Rajput & Rajasthani

The painted courts of Rajputana — Mewar, Bundi, Kota, Kishangarh, Bikaner, Marwar. Hot colour, flattened space, and devotional intensity: the Mughals' brilliant Hindu rival.

c. 1900 – 19400 pieces

Bengal School

The early-1900s revolt against European academic painting — Abanindranath Tagore and his circle reaching back to Mughal wash and pan-Asian line to imagine a national art.

c. 1500 – 18502 pieces

Mughal & Miniature

Hand-sized worlds of jewel colour and exact line — Mughal court albums, Rajput and Pahari painting, where a single leaf holds an entire poem.

c. 1900 – 19901 piece

Modernists

Amrita Sher-Gil, Gaganendranath Tagore, the Progressive Artists' Group, and the long twentieth-century argument over what a modern Indian picture should be.

Living traditions2 pieces

Folk & Tribal

Madhubani, Warli, Kalighat, Gond — living traditions carried for generations, often by women, now claimed by the global art world.

2nd c. BCE onward2 pieces

Classical & Temple

Ajanta's cave frescoes, Chola bronzes, Ellora's rock-cut temples — the deep foundations of the subcontinent's visual language.

c. 1770 – 19101 piece

Academic & Colonial

Raja Ravi Varma, the Company painters, and the collision of European technique with Indian subjects under the Raj.

Today0 pieces

Contemporary

Work made now, by artists publishing on Nazaria. Portfolios, studies, experiments in progress.

All eras0 pieces

World

Indian art never stood alone. Comparative essays placing it beside Europe, East Asia, and the wider world.